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Link Posted: 11/12/2019 4:39:12 AM EST
[#1]
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Quoted:
LucasArts kept a VERY tight rein on stories published in the EU, the various authors didn't have a lot of freedom in what they wrote, from what I've been told (reportedly from one of the most prominent EU writers, telling David Weber he made a good decision in TURNING DOWN an opportunity to write in the EU earlier in his writing career).
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Consider how Disney threw 30+ years of Expand Universe lore in the trash can and replaced it with shit from a sewer,  if I were Lucas I would tell them to fuck off. The check has already been cashed after all.
Be realistic... there was good shit there, but there was epic tons of bullshit. It was a shitshow.
LucasArts kept a VERY tight rein on stories published in the EU, the various authors didn't have a lot of freedom in what they wrote, from what I've been told (reportedly from one of the most prominent EU writers, telling David Weber he made a good decision in TURNING DOWN an opportunity to write in the EU earlier in his writing career).
I don’t think that’s true because Karen Traviss shit all over things and other authors were pissed she got away with it.
Link Posted: 11/12/2019 6:20:59 AM EST
[#2]
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Meh, Lucas is a shit dialog writer and has a cringe inducing sense of humor but at least he is capable of creating a proper story arc and setting up a "lived in" world.

His original idea for the new trilogy is a million times better than what we ended up with.
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What was his original idea?
Link Posted: 11/12/2019 9:59:47 AM EST
[#3]
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Quoted:

Corporate America has a short attention span when it comes to realizing a return on investment. I see it all the time with big companies buying small companies (think IBM) only to crater the acquisition within a few years because “we had to get something to market...”
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IBM would have re-sold Lucasfilm low and re-bought it high at least twice by now, and be well on the way to a “joint-venture” final sell off to the Chinese.
Link Posted: 11/12/2019 10:05:48 AM EST
[#4]
Midway is the movie that the Star Wars bunch should have wanted to make.

Instead, they made Band of Sisters.

Attachment Attached File
Link Posted: 11/12/2019 10:06:40 AM EST
[#5]
Just watched EP1 of the Mandalorian. Best show ever.

Star Wars redeemed.
Link Posted: 11/12/2019 10:13:30 AM EST
[#6]
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Just watched EP1 of the Mandalorian. Best show ever.

Star Wars redeemed.
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Lucas original thinking for Star Wars was as a serial. It shouldn’t be a surprise that the episodic Star Wars like clone wars and rebels are the best Star Wars. I expect the Mandalorian to be good for that reason.
Link Posted: 11/12/2019 10:21:20 AM EST
[#7]
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At it's core, Star Wars is a Samurai/Western set in space.
Think The Seven Samurai/The Magnificent Seven in a galaxy far far away.

When they moved away from that, the franchise withered and died.
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9 year old me in 1977:  "Mom, what is this movie about that we're going to see?"

Mom: "Well...it's kind of like cowboys in space."

Me:
Link Posted: 11/12/2019 10:29:30 AM EST
[#8]
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I miss George Lucas. With the right people around him, he would have made the new trilogy great. I was one that made the mistake of thinking that Disney would do a great job keeping the spirit of the series alive, but I'm pretty sure that spirit is unique to Lucas.

I actually enjoyed the prequels and like them more than the originals. The new movies are garbage
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Link Posted: 11/12/2019 10:48:40 AM EST
[#9]
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There still are a few good ones out there. Todd Phillips - Joker director, he also directed The Hangover, Limitless and Old School. Alexander Payne - Election, About Schmidt, Sideways.   Guillermo del Toro The Shape of Water, The Strain, Pacific Rim, Hellboy 1+2, Mimic. Denis Villeneuve - Sicario, Blade Runner 2049, Arrival and we'll see if Dune 2020 turns out good.
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Yes, they are all talented directors, but they're probably not woke enough to be given the helm of a major franchise.
Link Posted: 11/12/2019 11:37:58 AM EST
[#10]
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Jar jar binks was the only thing I liked about that movie...
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Link Posted: 11/12/2019 11:41:57 AM EST
[#11]
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I saw American Graffiti for the first time a few weeks ago - it was good.  I saw Star Wars in 1977. So there's that.

Empire Strikes Back was Irvin Kershner.  Why didn't Lucas helm that?
Return of the Jedi = Ewoks = Lucas.

The answer to why Star Wars is such a mess is simple.
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One major theory was Lucas may have had very little to do with anything Star Wars. From what is sounds like, he was at most, involved in 15% of the original trilogy. When he came up with the Prequels, those were his babies and you can tell big time.
I saw American Graffiti for the first time a few weeks ago - it was good.  I saw Star Wars in 1977. So there's that.

Empire Strikes Back was Irvin Kershner.  Why didn't Lucas helm that?
Return of the Jedi = Ewoks = Lucas.

The answer to why Star Wars is such a mess is simple.
This is why ESB is the best one. Because Lucas didn't direct it.
Link Posted: 11/12/2019 12:03:00 PM EST
[#12]
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R1...great

Solo....really good, weak spot was the multiethnic girl-power rebel chick
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The only good entry in the new Star Wars universe is Rogue One. Every other movie has been abject and utter garbage. They should stop milking this dead cow and move on already.
R1...great

Solo....really good, weak spot was the multiethnic girl-power rebel chick
And the ghetto female andriod
Link Posted: 11/12/2019 12:11:34 PM EST
[#13]
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Hollywood is dead.  The Marvel movies were the last breath of a dying beast.  Now, even they are dead.  It died suddenly, but predictably.   It is a culture filled with idiots.

The old entertainment geniuses are dead, dying, or retired.  Now, half-assed idiots who think they need to make a statement, are churning out cringe-worthy idiocy, hoping that the brain dead consumers will mercy-watch their moronic, rehashed, hackneyed tripe.  The truth is, they probably will, but deep down, even the most delusional among them know that they can't possibly hold a candle to those who came before them.

They take drugs, surround themselves with vapid sycophants, and appear on ridiculous tv shows that market their wealth and fame, as if that is a substitute for actual talent.

Those of us who lived through the glory days of film and television know that much of what is being shat upon the big and little screen is laughably bad.
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Link Posted: 11/12/2019 12:19:04 PM EST
[#14]
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9 year old me in 1977:  "Mom, what is this movie about that we're going to see?"

Mom: "Well...it's kind of like cowboys in space."

Me:
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You saw Serenity decades before the rest of us?
Link Posted: 11/12/2019 12:19:26 PM EST
[#15]
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Quoted:
Midway is the movie that the Star Wars bunch should have wanted to make.

Instead, they made Band of Sisters.

https://www.AR15.Com/media/mediaFiles/271112/bandofsisters_jpg-1158337.JPG
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2,1,4,3
Link Posted: 11/12/2019 12:20:58 PM EST
[#16]
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Hollywood has always been a sink of degeneracy, but at least the filmmakers of yesteryear had a fair amount of talent to build on.

Now we have worthless cucks like Rian Johnson who are being hired primarily because they are tractable, controllable, and totally subject to the narrative.  They are being handed franchises which are too valuable to fail, given their corporate marching orders, and told to play it safe because the aging creative geniuses crapped out a winning formula 30 years ago and we can't stray too far from that recipe.  Let the chained monkeys turn the crank and make some sausage.

The result is a predictably unsatisfying chain of turds, gold-plated with CGI and huge budgets.   They invariably fail because the writers and directors have no feel for real characters in relatable situations displaying relatable emotions.  When there are motivations, they are always thin and hackneyed cliches hastily spray-painted with nostalgia.  When there are achievements, they are built on "because I said so" rather than any sacrifice, failures, or pain.  No victory is meaningful or ever in question.

Each reboot or rehash is seemingly an even more pitiful, derivative, degenerate cliche of something that worked once, five iterations and two or three decades ago, and their deeply unsatisfying efforts spawn further, even weaker attempts a few years down the line.

Occasionally a Chris Nolan is brought in and sets a high water mark heretofore undreamt-of, but that's rare enough.
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"Cargo Cult" filmmaking.  Marvel would be the best example of formulaic success.  Disney is also formulaic, at least in it's approach, but that formula (simpleton crap with mass marketing to drive demand) only works on reptitive children's movies.  Star Wars is at worst considerably more mature than that (more of a young teens' fare, to appreciate it properly), though Lucas obviously saw it as a vehicle for the bright colors & silly characters crowd.  At best the setting lends itself to gritty drama.  It's clear Disney bought this property with the expectation they could treat it like their cartoons, like Aladdin/Little Mermaid, and perpetually shit out sequels & spinoffs to oblivious children incapable of recognizing the plots are nonsensical and the characters meaningless and the themes laden with propaganda.  Why they thought this approach could scale better than the direct-to-video model of those other projects is a mystery to me.
Link Posted: 11/12/2019 12:25:31 PM EST
[#17]
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"Cargo Cult" filmmaking.  Marvel would be the best example of formulaic success.  Disney is also formulaic, at least in it's approach, but that formula (simpleton crap with mass marketing to drive demand) only works on reptitive children's movies.  Star Wars is at worst considerably more mature than that (more of a young teens' fare, to appreciate it properly), though Lucas obviously saw it as a vehicle for the bright colors & silly characters crowd.  At best the setting lends itself to gritty drama.  It's clear Disney bought this property with the expectation they could treat it like their cartoons, like Aladdin/Little Mermaid, and perpetually shit out sequels & spinoffs to oblivious children incapable of recognizing the plots are nonsensical and the characters meaningless and the themes laden with propaganda.  Why they thought this approach could scale better than the direct-to-video model of those other projects is a mystery to me.
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FUCKING. NAILED. IT.  Disney saw the Ewoks and Jar Jar Binks as Star Wars.  It was always about keeping tots glued to their screens and begging mom for the toys.  While they were at it, they decided to indoctrinate the teens with their SJW horseshit.

That's why we should have known it was over the minute Kathleen Kennedy had anything to do with it.

Had I done some research prior to paying money to see TFA or TLJ, I would have avoided them like the plague.
Link Posted: 11/12/2019 12:32:29 PM EST
[#18]
I just want BIG TITS in movies again
Link Posted: 11/12/2019 12:43:06 PM EST
[#19]
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Quoted:
I just want BIG TITS in movies again
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Anime, my friend.

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Link Posted: 11/12/2019 12:55:05 PM EST
[#20]
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Quoted:
"Cargo Cult" filmmaking.  Marvel would be the best example of formulaic success.  Disney is also formulaic, at least in it's approach, but that formula (simpleton crap with mass marketing to drive demand) only works on reptitive children's movies.  Star Wars is at worst considerably more mature than that (more of a young teens' fare, to appreciate it properly), though Lucas obviously saw it as a vehicle for the bright colors & silly characters crowd.  At best the setting lends itself to gritty drama.  It's clear Disney bought this property with the expectation they could treat it like their cartoons, like Aladdin/Little Mermaid, and perpetually shit out sequels & spinoffs to oblivious children incapable of recognizing the plots are nonsensical and the characters meaningless and the themes laden with propaganda.  Why they thought this approach could scale better than the direct-to-video model of those other projects is a mystery to me.
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Quoted:
Quoted:

Hollywood has always been a sink of degeneracy, but at least the filmmakers of yesteryear had a fair amount of talent to build on.

Now we have worthless cucks like Rian Johnson who are being hired primarily because they are tractable, controllable, and totally subject to the narrative.  They are being handed franchises which are too valuable to fail, given their corporate marching orders, and told to play it safe because the aging creative geniuses crapped out a winning formula 30 years ago and we can't stray too far from that recipe.  Let the chained monkeys turn the crank and make some sausage.

The result is a predictably unsatisfying chain of turds, gold-plated with CGI and huge budgets.   They invariably fail because the writers and directors have no feel for real characters in relatable situations displaying relatable emotions.  When there are motivations, they are always thin and hackneyed cliches hastily spray-painted with nostalgia.  When there are achievements, they are built on "because I said so" rather than any sacrifice, failures, or pain.  No victory is meaningful or ever in question.

Each reboot or rehash is seemingly an even more pitiful, derivative, degenerate cliche of something that worked once, five iterations and two or three decades ago, and their deeply unsatisfying efforts spawn further, even weaker attempts a few years down the line.

Occasionally a Chris Nolan is brought in and sets a high water mark heretofore undreamt-of, but that's rare enough.
"Cargo Cult" filmmaking.  Marvel would be the best example of formulaic success.  Disney is also formulaic, at least in it's approach, but that formula (simpleton crap with mass marketing to drive demand) only works on reptitive children's movies.  Star Wars is at worst considerably more mature than that (more of a young teens' fare, to appreciate it properly), though Lucas obviously saw it as a vehicle for the bright colors & silly characters crowd.  At best the setting lends itself to gritty drama.  It's clear Disney bought this property with the expectation they could treat it like their cartoons, like Aladdin/Little Mermaid, and perpetually shit out sequels & spinoffs to oblivious children incapable of recognizing the plots are nonsensical and the characters meaningless and the themes laden with propaganda.  Why they thought this approach could scale better than the direct-to-video model of those other projects is a mystery to me.
Cargo cult filmmaking is a VERY accurate description of contemporary Hollywood.
Link Posted: 11/12/2019 1:00:15 PM EST
[#21]
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What was his original idea?
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Meh, Lucas is a shit dialog writer and has a cringe inducing sense of humor but at least he is capable of creating a proper story arc and setting up a "lived in" world.

His original idea for the new trilogy is a million times better than what we ended up with.
What was his original idea?
For what it’s worth there is this article
https://www.fatherly.com/news/george-lucass-original-idea-star-wars-episodes-vii-viii-ix-trilogy/

It’s not what I recall reading many years ago (about the. While)
What I remember is something like a back story in TLJ that Luke had a new Jedi academy and
One of Han/leias children turned to the dark side.  I thought it was jacen or something like that- there was no Ben or kylonthat turned
The overwhelming arc was problems setting up a new republic.
Link Posted: 11/12/2019 1:00:57 PM EST
[#22]
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Quoted:
You want to solve this temporarily?

In the final credits of the upcoming movie, Harrison Ford as Solo wakes up in the shower with Carrie Fisher’s voice in the background, a la Dallas.

That troll of everyone ALMOST would make up for the last two - and expected third - pile of shit.
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I think we safely change "expected" shit to "incipient" shit; we've gone from mere stomach to bubbling to a DEFCON Turtlehead.  I don't think a single leak (I highly doubt they are truly leaks, but rather "testing the waters") has suggested anything positive about the film.

If Disney isn't retarded (remains to be seen) these 'baseless and incorrect leaks' will coincidentally herald a delayed release while they reshoot most of the movie.  Shouldn't be too hard; they can come up with a way to string the already-filmed expensive action scene footage together with a new dialogue & plot under the actors' existing contracts.  Probably a several month delay at worst.  They just need to knuckle-under & do it, and stop pretending they can save the current turd.  Or they could continue being retarded.
Link Posted: 11/12/2019 1:02:04 PM EST
[#23]
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Quoted:
Video of Lucas after the screening...

https://i.imgur.com/2FumIZj.gif
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There's some hilarious footage of the Episode I screening...with everyone looking around uncomfortably.
Link Posted: 11/12/2019 1:22:27 PM EST
[#25]
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Quoted:
For what it’s worth there is this article
https://www.fatherly.com/news/george-lucass-original-idea-star-wars-episodes-vii-viii-ix-trilogy/

It’s not what I recall reading many years ago (about the. While)
What I remember is something like a back story in TLJ that Luke had a new Jedi academy and
One of Han/leias children turned to the dark side.  I thought it was jacen or something like that- there was no Ben or kylonthat turned
The overwhelming arc was problems setting up a new republic.
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Quoted:
Quoted:
Quoted:

Meh, Lucas is a shit dialog writer and has a cringe inducing sense of humor but at least he is capable of creating a proper story arc and setting up a "lived in" world.

His original idea for the new trilogy is a million times better than what we ended up with.
What was his original idea?
For what it’s worth there is this article
https://www.fatherly.com/news/george-lucass-original-idea-star-wars-episodes-vii-viii-ix-trilogy/

It’s not what I recall reading many years ago (about the. While)
What I remember is something like a back story in TLJ that Luke had a new Jedi academy and
One of Han/leias children turned to the dark side.  I thought it was jacen or something like that- there was no Ben or kylonthat turned
The overwhelming arc was problems setting up a new republic.
Yes, that certainly doesn't sound like he was using the plot prior to the point as a jerk-sock to be wadded up & discarded.

I still don't get why all the main cast have to be inbred as a plot device for a story spanning galaxies; I know Lucas cribbed the plot from the Japanese & they love the family tree angle, but he's American.
Link Posted: 11/12/2019 1:42:29 PM EST
[#26]
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Quoted:
Return of the Jedi 2.0 where the most inexperienced untrained Jedi kills the biggest and Baddest Sith in the galaxy....

Boy these clown shoes really hurt my feet...
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And in the same installment we rewrite established FTL canon and Admiral Purple Hair turns the rebel flagship into a relativistic bomb.  The type of weapon that would completely invalidate the need for a weapon such as the Death Star.
Link Posted: 11/12/2019 1:49:29 PM EST
[#27]
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There still are a few good ones out there. Todd Phillips - Joker director, he also directed The Hangover, Limitless and Old School. Alexander Payne - Election, About Schmidt, Sideways.   Guillermo del Toro The Shape of Water, The Strain, Pacific Rim, Hellboy 1+2, Mimic. Denis Villeneuve - Sicario, Blade Runner 2049, Arrival and we'll see if Dune 2020 turns out good.
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A member here posted a funny review of that movie here, can’t find it though
Link Posted: 11/12/2019 2:02:11 PM EST
[#28]
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I think the movie will be shit, but I doubt the rumors about 3 endings, Lucas coming in and saving it and this test audience are even remotely true.

The simple truth is they would not be able to release anything in December, if they were reworking the ending. The animators, actors and crew simply don't have enough hours in the day to do something like that.

But rest assured, it will suck ass. And if they somehow bring the Emperor back as stated in the OP, they really fucked it good.
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The rumor about Lucas sounds unlikely. In my ignorant opinion, it seems like at the most he could do a bit of re-editing and if that was all this took they wouldn't need him. It's not like they can do some extensive reshoot and re-animation in time for a December release.
Link Posted: 11/12/2019 2:05:23 PM EST
[#29]
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Quoted:

The rumor about Lucas sounds unlikely. In my ignorant opinion, it seems like at the most he could do a bit of re-editing and if that was all this took they wouldn't need him. It's not like they can do some extensive reshoot and re-animation in time for a December release.
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Nevermind the fact that someone of Lucas's caliber wouldn't do it for free, either.  It would take months of lawyers, negotiations, contracts, etc. to even agree on what he would do, how he would do it, and when he would do it.

And last, but not least, "helping" the current incompetent bunch diminishes the nostalgia for how great a director and writer he was (LOL).  Money can't buy that kind of revisionist history.
Link Posted: 11/12/2019 2:05:46 PM EST
[#30]
George Lucas cut in order to sell tickets and subsequently use him as the fall guy.

Brilliant!
Link Posted: 11/12/2019 2:08:13 PM EST
[#31]
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Quoted:

There's some hilarious footage of the Episode I screening...with everyone looking around uncomfortably.
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I May Have Gone Too Far In A Few Places
Link Posted: 11/12/2019 2:21:14 PM EST
[#32]
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Quoted:

And the ghetto female andriod
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and the space squid.
Link Posted: 11/12/2019 2:30:10 PM EST
[#33]
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Quoted:

"Cargo Cult" filmmaking.  Marvel would be the best example of formulaic success.  Disney is also formulaic, at least in it's approach, but that formula (simpleton crap with mass marketing to drive demand) only works on reptitive children's movies.  Star Wars is at worst considerably more mature than that (more of a young teens' fare, to appreciate it properly), though Lucas obviously saw it as a vehicle for the bright colors & silly characters crowd.  At best the setting lends itself to gritty drama.  It's clear Disney bought this property with the expectation they could treat it like their cartoons, like Aladdin/Little Mermaid, and perpetually shit out sequels & spinoffs to oblivious children incapable of recognizing the plots are nonsensical and the characters meaningless and the themes laden with propaganda.  Why they thought this approach could scale better than the direct-to-video model of those other projects is a mystery to me.
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I disagree... sort of.

Disney, and every non-rabid-fan on the planet, saw what looked like a can't lose cash cow. Lucas spit out his trio of sequels (to the original three) and made BILLIONS off what were easily the most imbecilic incomprehensible shit ever released on the big screen. They weren't just bad, they were insultingly bad. The stories and dialog were idiotic, the acting was terrible, the special effects were comically over the top, and the "heroes" of these stories made you desperately long for the bad guys to kill them all. Slowly. Over and over again. Can anyone honestly claim that they didn't want to see Darth Maul kill every single person in the first film?

And yet Lucas minted money off these turds.He minted miney because it was Star Wars and the fans were very clear that they didn't give a flying fuck how bad it was, they were going to pay their nerd nostalgia bucks over and over again. It was a source of pride with these tards.

Disney looked at this and correctly thought that they could do better. And who can blame them. But they had to grab it quick before Lucas destroyed the whole thing permanently. And it was all so simple that they didn't need to worry about quality story telling, they could just do special effects and cultural marxist messaging.

But they underestimated just how badly Lucas had fucked things up. By the time Disney bought it the non-fans had already long since quit, and the fans were on their last leg. Disney's brand new vessel wasn't unsinkable, it was the Titanic, and they were going full tilt boogey without anyone on the bridge. Hitting an iceberg was inevitable.
Link Posted: 11/12/2019 2:39:21 PM EST
[#34]
Empire Strikes Back is the only great Star Wars movie.

Star Wars: A New Hope is pretty good as a light-hearted adventure flick.  Doesn't hold up all that well, tho.

Return of the Jedi really doesn't hold up very well.

The prequels are mostly shit.

The new films, starting with "The Force Awakens" range from forgettable to "intentionally shitting on the core audience."

I really hope Disney takes a huge bath on this last film.  I hope they lose a shit ton of money on it.  Fuck them and their communist chinese cock-sucking.
Link Posted: 11/12/2019 3:08:02 PM EST
[#35]
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Quoted:
I disagree... sort of.

Disney, and every non-rabid-fan on the planet, saw what looked like a can't lose cash cow. Lucas spit out his trio of sequels (to the original three) and made BILLIONS off what were easily the most imbecilic incomprehensible shit ever released on the big screen. They weren't just bad, they were insultingly bad. The stories and dialog were idiotic, the acting was terrible, the special effects were comically over the top, and the "heroes" of these stories made you desperately long for the bad guys to kill them all. Slowly. Over and over again. Can anyone honestly claim that they didn't want to see Darth Maul kill every single person in the first film?

And yet Lucas minted money off these turds.He minted miney because it was Star Wars and the fans were very clear that they didn't give a flying fuck how bad it was, they were going to pay their nerd nostalgia bucks over and over again. It was a source of pride with these tards.

Disney looked at this and correctly thought that they could do better. And who can blame them. But they had to grab it quick before Lucas destroyed the whole thing permanently. And it was all so simple that they didn't need to worry about quality story telling, they could just do special effects and cultural marxist messaging.

But they underestimated just how badly Lucas had fucked things up. By the time Disney bought it the non-fans had already long since quit, and the fans were on their last leg. Disney's brand new vessel wasn't unsinkable, it was the Titanic, and they were going full tilt boogey without anyone on the bridge. Hitting an iceberg was inevitable.
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Quoted:

"Cargo Cult" filmmaking.  Marvel would be the best example of formulaic success.  Disney is also formulaic, at least in it's approach, but that formula (simpleton crap with mass marketing to drive demand) only works on reptitive children's movies.  Star Wars is at worst considerably more mature than that (more of a young teens' fare, to appreciate it properly), though Lucas obviously saw it as a vehicle for the bright colors & silly characters crowd.  At best the setting lends itself to gritty drama.  It's clear Disney bought this property with the expectation they could treat it like their cartoons, like Aladdin/Little Mermaid, and perpetually shit out sequels & spinoffs to oblivious children incapable of recognizing the plots are nonsensical and the characters meaningless and the themes laden with propaganda.  Why they thought this approach could scale better than the direct-to-video model of those other projects is a mystery to me.
I disagree... sort of.

Disney, and every non-rabid-fan on the planet, saw what looked like a can't lose cash cow. Lucas spit out his trio of sequels (to the original three) and made BILLIONS off what were easily the most imbecilic incomprehensible shit ever released on the big screen. They weren't just bad, they were insultingly bad. The stories and dialog were idiotic, the acting was terrible, the special effects were comically over the top, and the "heroes" of these stories made you desperately long for the bad guys to kill them all. Slowly. Over and over again. Can anyone honestly claim that they didn't want to see Darth Maul kill every single person in the first film?

And yet Lucas minted money off these turds.He minted miney because it was Star Wars and the fans were very clear that they didn't give a flying fuck how bad it was, they were going to pay their nerd nostalgia bucks over and over again. It was a source of pride with these tards.

Disney looked at this and correctly thought that they could do better. And who can blame them. But they had to grab it quick before Lucas destroyed the whole thing permanently. And it was all so simple that they didn't need to worry about quality story telling, they could just do special effects and cultural marxist messaging.

But they underestimated just how badly Lucas had fucked things up. By the time Disney bought it the non-fans had already long since quit, and the fans were on their last leg. Disney's brand new vessel wasn't unsinkable, it was the Titanic, and they were going full tilt boogey without anyone on the bridge. Hitting an iceberg was inevitable.
This is a bunch of crap.  The Prequel Trilogy, despite its shortcomings, felt like Star Wars, and remained consistent in the presentation of the universe.  Also, the story of the Prequel Trilogy is good, just poorly done in the movies because of George Lucas.  Want proof?  Read the novelization for Episode III; it is one of the best Star Wars books ever written.

The Sequel Trilogy is terrible story telling, with terrible characters, and it doesn't feel like Star Wars.
Link Posted: 11/12/2019 3:17:26 PM EST
[#36]
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Quoted:
Star Wars has always struggled with a lore problem. George Lucas knew how to get the plane in the air but couldn’t land it to save his life.

-The original trilogy did best when other people refined his ideas.
-The prequels sucked for plot and characters.
-The EU was the strongest thing about Star Wars for decades. Dozens of writers smoothed out the bumps and made the universe functional.
-Disney obliterated the EU, then tried to rewrite the universe via committee and targeted demographics. Storyline be damned.
-Rian Johnson shot continuity out of a howitzer and completely disregarded the Disney storyline because.... cocaine?

Now Disney is suddenly realizing the core issue with the SW franchise hasn’t been addressed since the early 80’s: what the hell is Star Wars even about???

Good luck resolving the movie equivalent of Lost in 90 min.
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Nailed it. The killing of the EU was the death of SWU for me. Those books and stories would have been 1000x better than anything that has been put out since.
Link Posted: 11/12/2019 4:07:12 PM EST
[#37]
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Quoted:
Anime, my friend.



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Quoted:
Quoted:
I just want BIG TITS in movies again
Anime, my friend.



Link Posted: 11/12/2019 5:19:56 PM EST
[#39]
Discussion ForumsJump to Quoted PostQuote History
Quoted:

This is a bunch of crap.  The Prequel Trilogy, despite its shortcomings, felt like Star Wars, and remained consistent in the presentation of the universe.  Also, the story of the Prequel Trilogy is good, just poorly done in the movies because of George Lucas.  Want proof?  Read the novelization for Episode III; it is one of the best Star Wars books ever written.

The Sequel Trilogy is terrible story telling, with terrible characters, and it doesn't feel like Star Wars.
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I feel like while the prequel trilogy was HEAVILY flawed, yes, at its heart it still felt like Star Wars. These movies feel like reskinned Avengers movies.
Link Posted: 11/12/2019 6:57:12 PM EST
[#40]
Discussion ForumsJump to Quoted PostQuote History
Quoted:

This is a bunch of crap.  The Prequel Trilogy, despite its shortcomings, felt like Star Wars, and remained consistent in the presentation of the universe.  Also, the story of the Prequel Trilogy is good, just poorly done in the movies because of George Lucas.  Want proof?  Read the novelization for Episode III; it is one of the best Star Wars books ever written.

The Sequel Trilogy is terrible story telling, with terrible characters, and it doesn't feel like Star Wars.
View Quote
So.... you are saying that the movies are good, with good stories, just badly done as movies. Dude, no offense, but put the nostalgia goggles away. The movies were incomprehensible garbage -- particularly the first one. I can find better acting and more coherent story telling in a Friday the 13th sequel. They only felt Star Wars in that they were basically the norm for Star Wars movies, that is to say that they were really seriously flawed.
Link Posted: 11/12/2019 7:18:13 PM EST
[#41]
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Quoted:
So.... you are saying that the movies are good, with good stories, just badly done as movies. Dude, no offense, but put the nostalgia goggles away. The movies were incomprehensible garbage -- particularly the first one. I can find better acting and more coherent story telling in a Friday the 13th sequel. They only felt Star Wars in that they were basically the norm for Star Wars movies, that is to say that they were really seriously flawed.
View Quote View All Quotes
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Discussion ForumsJump to Quoted PostQuote History
Quoted:
Quoted:

This is a bunch of crap.  The Prequel Trilogy, despite its shortcomings, felt like Star Wars, and remained consistent in the presentation of the universe.  Also, the story of the Prequel Trilogy is good, just poorly done in the movies because of George Lucas.  Want proof?  Read the novelization for Episode III; it is one of the best Star Wars books ever written.

The Sequel Trilogy is terrible story telling, with terrible characters, and it doesn't feel like Star Wars.
So.... you are saying that the movies are good, with good stories, just badly done as movies. Dude, no offense, but put the nostalgia goggles away. The movies were incomprehensible garbage -- particularly the first one. I can find better acting and more coherent story telling in a Friday the 13th sequel. They only felt Star Wars in that they were basically the norm for Star Wars movies, that is to say that they were really seriously flawed.
You try to twist words like a politician, but fail miserably.  Don't quit your day job.
Link Posted: 11/13/2019 9:00:49 AM EST
[#42]
Discussion ForumsJump to Quoted PostQuote History
Quoted:

I disagree... sort of.

Disney, and every non-rabid-fan on the planet, saw what looked like a can't lose cash cow. Lucas spit out his trio of sequels (to the original three) and made BILLIONS off what were easily the most imbecilic incomprehensible shit ever released on the big screen. They weren't just bad, they were insultingly bad. The stories and dialog were idiotic, the acting was terrible, the special effects were comically over the top, and the "heroes" of these stories made you desperately long for the bad guys to kill them all. Slowly. Over and over again. Can anyone honestly claim that they didn't want to see Darth Maul kill every single person in the first film?

And yet Lucas minted money off these turds.He minted miney because it was Star Wars and the fans were very clear that they didn't give a flying fuck how bad it was, they were going to pay their nerd nostalgia bucks over and over again. It was a source of pride with these tards.

Disney looked at this and correctly thought that they could do better. And who can blame them. But they had to grab it quick before Lucas destroyed the whole thing permanently. And it was all so simple that they didn't need to worry about quality story telling, they could just do special effects and cultural marxist messaging.

But they underestimated just how badly Lucas had fucked things up. By the time Disney bought it the non-fans had already long since quit, and the fans were on their last leg. Disney's brand new vessel wasn't unsinkable, it was the Titanic, and they were going full tilt boogey without anyone on the bridge. Hitting an iceberg was inevitable.
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Link Posted: 11/13/2019 9:34:42 AM EST
[#43]
Discussion ForumsJump to Quoted PostQuote History
Quoted:

Start from nothing.
Earn your power.
A demanding mentor.
Have you lowest low.
A hubris fall.
Lose your gift.
Earn and atone.
Regain your gift.
A worthy opponent defeated against all odds.

Iron man(the one marvel movie that couldbe argued launched the  multi billion dollar super hero craze)

guy gets laid low and works in cave under gruling doncition using brain to fix things,
gruling dad/mentor scenes
get escape cave
have village killed because of him
have to protect people he loves
save friends adn the day at the end

(rinse and repeat for 3 more movies and spin offs/coolabortions)
Batman, laid low(no dfamily), earns powers, cant save gotham loses his family(basically gotham), fix thigns ride off into sunset.
View Quote
There are other ways to tell a great story besides the old, beaten to death, canned formula. The battle of good vs evil in real life is never ending and never fought the same way twice. Why should stories be different? I think that is why science fiction has gotten stale. It's mostly just cookie cutter boredom. Star Wars was fresh with IV, V, VI but then it became absurd and predictable. Hollywood did the predictable by trying to cash in on the Star Wars fame by copying the formula. It got stale as they forgot how to tell a great story. Money was all they wanted. Now the only question that matters is can they get the ending right or will they kill the golden goose for good?
Link Posted: 11/13/2019 9:52:43 AM EST
[#44]
Solo: A Star Wars Story Will Lose $50-80 Million, Analysts Blame Poor Marketing

The big picture:
Disney paid cool 4 billion for the franchise. A completely safe long-term investment in index funds will bring 5-10% annually. Therefore, Star Wars needs to bring 600 million to 1 billion every year to be on par. Disney needs The Force Awakens kind of film every year. So far, the investment has been a colossal failure. Disney can eat the loss because of the Marvel movies, theme parks, etc, but Star Wars will be a case study in failure for years to come
View Quote
--link

Here's to the analysts keeping their head up their @sses and the SJW's losing tens of millions more
Link Posted: 11/13/2019 9:59:11 AM EST
[#45]
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Quoted:
The multi-decade success of the EU says that's wrong. And the fact that the canvas is 25,000+ years in an entire galaxy says the concept of being "played out" is idiotic. Some of the most entertaining stories take place in a couple cities on a planet or two.
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George had to create a universe to set the imagination. He did it very well. In MHO, the mistake was telling it the same way every time. It got to where I could predict the turns, dips and rises of the rollercoaster. That made it boring.

With the universe he created there are billions of stories to tell. billions of people waiting to be created. All that has been done so far is tell the same story in 9 chapters over a period of 42 years. Most people don't have that long of an attention span and are growing impatient for new story.
Link Posted: 11/13/2019 10:01:05 AM EST
[#46]
Discussion ForumsJump to Quoted PostQuote History
Quoted:

9 year old me in 1977:  "Mom, what is this movie about that we're going to see?"

Mom: "Well...it's kind of like cowboys in space."

Me:
View Quote
That was Firefly.
Link Posted: 11/13/2019 10:13:15 AM EST
[#47]
Discussion ForumsJump to Quoted PostQuote History
Quoted:
Solo: A Star Wars Story Will Lose $50-80 Million, Analysts Blame Poor Marketing

--link

Here's to the analysts keeping their head up their @sses and the SJW's losing tens of millions more
View Quote View All Quotes
View All Quotes
Discussion ForumsJump to Quoted PostQuote History
Quoted:
Solo: A Star Wars Story Will Lose $50-80 Million, Analysts Blame Poor Marketing

The big picture:
Disney paid cool 4 billion for the franchise. A completely safe long-term investment in index funds will bring 5-10% annually. Therefore, Star Wars needs to bring 600 million to 1 billion every year to be on par. Disney needs The Force Awakens kind of film every year. So far, the investment has been a colossal failure. Disney can eat the loss because of the Marvel movies, theme parks, etc, but Star Wars will be a case study in failure for years to come
--link

Here's to the analysts keeping their head up their @sses and the SJW's losing tens of millions more
Looks like the SJW's are cutting their losses on the movies after the release this December:

Star Wars Movies On Hiatus For Years Confirms Disney CEO Bob Iger
Link Posted: 11/13/2019 10:15:16 AM EST
[#48]
If every Star Wars movie was like rogue one I'd be a star wars fan. As it is I never have been a big fan and nowadays I could care less. I still watch Rogue One if it's on tv and I own it as well.
Link Posted: 11/13/2019 10:15:53 AM EST
[#49]
Oh, so you think the Epic Adventure Saga that's been popular for, what, at least 5000 years that we know of, across all known cultures, has finally gotten 'stale?'  

Star Wars' plot was highly derivative; it was always the special effects that made it notable.  But that plot took itself way too seriously & disappeared up its own ass in subsequent years.  Empire was the only one that approached something resembling 'epic' proportions, and largely because it's plot was simultaneously scattered across the cosmos --yet it just barely managed to connect them enough to be cohesive, which is *why* the movie feels as 'big' as it is.  It's a very fine line to tread.  Every subsequent story was even more scattered, and totally disjointed, which is why they are so unenjoyable.  Even Jedi, though it's many parallel plot lines at least support a common goal throughout.
Link Posted: 11/13/2019 10:22:12 AM EST
[#50]
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Quoted:
That was Firefly.
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Quoted:
Quoted:

9 year old me in 1977:  "Mom, what is this movie about that we're going to see?"

Mom: "Well...it's kind of like cowboys in space."

Me:
That was Firefly.
Star Wars is definitely Space Medieval Knights or Space Tokugawa-Era Samurai.  Now, a "Dying West" style tale where traditionalist Jedi warrior-monks must come to grips with an inexorably expanding Empire (or Republic) that is incompatible with their anarchic ways could be cool, but wouldn't work well since "space is big, and there's always a new frontier" as well as "the Force is universal harmony/order of the cosmos."  You'd need a lot of retcon to make it work, but it's a proven basis for an entertaining storyline.
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