Posted: 3/3/2010 6:51:34 AM EDT
| For a class I have to post a poem online. I never read poetry, and therefore cannot think of even one poem to use. Any good places to look or does anyone here have a good one? I figure this place answers about any question. |
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One poem I wrote a paper on was called "Death be not proud." There are a lot of literary tricks in the poem. As just two of many examples, in line 6, talking about flow, the iambic pentameter sounds like gentle waves in a river or something. In line 9, when it talks about slavery, the rhythm is very plodding and uneven, like an exhausted slave being forced to work.
Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those whom thou thinkst thou dost overthrow Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures be Much pleasure; then from thee much more must flow And soonest our best men with thee do go Rest of their bones and soul's delivery. Thou art slave to Fate, Chance, kings, and desperate men, And dost with poison, war, and sickness dwell, And poppies or charms can make us sleep as well And better than thy stroke. Why swellst thou then? One short sleep past, we wake eternally, And death shall be no more; Death, thou shalt die! -John Donne |
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I'm a fan of Robert Service My favorite I'm Scared Of It All I'm scared of it all, God's truth! so I am; It's too big and brutal for me. My nerve's on the raw and I don't give a damn For all the "hoorah" that I see. I'm pinned between subway and overhead train, Where automobillies swoop down: Oh, I want to go back to the timber again –– I'm scared of the terrible town. I want to go back to my lean, ashen plains; My rivers that flash into foam; My ultimate valleys where solitude reigns; My trail from Fort Churchill to Nome. My forests packed full of mysterious gloom, My ice-fields agrind and aglare: The city is deadfalled with danger and doom –– I know that I'm safer up there. I watch the wan faces that flash in the street; All kinds and all classes I see. Yet never a one in the million I meet, Has the smile of a comrade for me. Just jaded and panting like dogs in a pack; Just tensed and intent on the goal: O God! but I'm lonesome –– I wish I was back, Up there in the land of the Pole. I wish I was back on the Hunger Plateaus, And seeking the lost caribou; I wish I was up where the Coppermine flows To the kick of my little canoe. I'd like to be far on some weariful shore, In the Land of the Blizzard and Bear; Oh, I wish I was snug in the Arctic once more, For I know I am safer up there! I prowl in the canyons of dismal unrest; I cringe –– I'm so weak and so small. I can't get my bearings, I'm crushed and oppressed With the haste and the waste of it all. The slaves and the madman, the lust and the sweat, The fear in the faces I see; The getting, the spending, the fever, the fret –– It's too bleeding cruel for me. I feel it's all wrong, but I can't tell you why –– The palace, the hovel next door; The insolent towers that sprawl to the sky, The crush and the rush and the roar. I'm trapped like a fox and I fear for my pelt; I cower in the crash and the glare; Oh, I want to be back in the avalanche belt, For I know that it's safer up there! I'm scared of it all: Oh, afar I can hear The voice of my solitudes call! We're nothing but brute with a little veneer, And nature is best after all. There's tumult and terror abroad in the street; There's menace and doom in the air; I've got to get back to my thousand-mile beat; The trail where the cougar and silver-tip meet; The snows and the camp-fire, with wolves at my feet; Good-bye, for it's safer up there. To be forming good habits up there; To be starving on rabbits up there; In your hunger and woe, Though it's sixty below, Oh, I know that it's safer up there! |
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Quoted:
I'm a fan of Robert Service My favorite I'm Scared Of It All <dl><dt>I'm scared of it all, God's truth! so I am;</dt><dt>It's too big and brutal for me.</dt><dt>My nerve's on the raw and I don't give a damn</dt><dt>For all the "hoorah" that I see.</dt><dt>I'm pinned between subway and overhead train,</dt><dt>Where automobillies swoop down:</dt><dt>Oh, I want to go back to the timber again ––</dt><dt>I'm scared of the terrible town. </dt><dt>I want to go back to my lean, ashen plains;</dt><dt>My rivers that flash into foam;</dt><dt>My ultimate valleys where solitude reigns;</dt><dt>My trail from Fort Churchill to Nome.</dt><dt>My forests packed full of mysterious gloom,</dt><dt>My ice-fields agrind and aglare:</dt><dt>The city is deadfalled with danger and doom ––</dt><dt>I know that I'm safer up there. </dt><dt>I watch the wan faces that flash in the street;</dt><dt>All kinds and all classes I see.</dt><dt>Yet never a one in the million I meet,</dt><dt>Has the smile of a comrade for me.</dt><dt>Just jaded and panting like dogs in a pack;</dt><dt>Just tensed and intent on the goal:</dt><dt>O God! but I'm lonesome –– I wish I was back,</dt><dt>Up there in the land of the Pole. </dt><dt>I wish I was back on the Hunger Plateaus,</dt><dt>And seeking the lost caribou;</dt><dt>I wish I was up where the Coppermine flows</dt><dt>To the kick of my little canoe.</dt><dt>I'd like to be far on some weariful shore,</dt><dt>In the Land of the Blizzard and Bear;</dt><dt>Oh, I wish I was snug in the Arctic once more,</dt><dt>For I know I am safer up there! </dt><dt>I prowl in the canyons of dismal unrest;</dt><dt>I cringe –– I'm so weak and so small.</dt><dt>I can't get my bearings, I'm crushed and oppressed</dt><dt>With the haste and the waste of it all.</dt><dt>The slaves and the madman, the lust and the sweat,</dt><dt>The fear in the faces I see;</dt><dt>The getting, the spending, the fever, the fret ––</dt><dt>It's too bleeding cruel for me. </dt><dt>I feel it's all wrong, but I can't tell you why ––</dt><dt>The palace, the hovel next door;</dt><dt>The insolent towers that sprawl to the sky,</dt><dt>The crush and the rush and the roar.</dt><dt>I'm trapped like a fox and I fear for my pelt;</dt><dt>I cower in the crash and the glare;</dt><dt>Oh, I want to be back in the avalanche belt,</dt><dt>For I know that it's safer up there! </dt><dt>I'm scared of it all: Oh, afar I can hear</dt><dt>The voice of my solitudes call!</dt><dt>We're nothing but brute with a little veneer,</dt><dt>And nature is best after all.</dt><dt>There's tumult and terror abroad in the street;</dt><dt>There's menace and doom in the air;</dt><dt>I've got to get back to my thousand-mile beat;</dt><dt>The trail where the cougar and silver-tip meet;</dt><dt>The snows and the camp-fire, with wolves at my feet;</dt><dt> Good-bye, for it's safer up there. </dt><dd>To be forming good habits up there;</dd><dd>To be starving on rabbits up there;</dd><dd>In your hunger and woe,</dd><dd>Though it's sixty below,</dd><dd>Oh, I know that it's safer up there!</dd></dl> </dt> <dt>I</dt> <dt>see</dt> <dt>what</dt> <dt>you</dt> <dt>did</dt> <dt>there</dt> <dt> |
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Rendevous with Death
I have a rendezvous with Death At some disputed barricade, When Spring comes back with rustling shade And apple-blossoms fill the air- I have a rendezvous with Death When Spring brings back blue days and fair. It may be he shall take my hand And lead me into his dark land And close my eyes and quench my breath- It may be I shall pass him still. I have a rendezvous with Death On some scarred slope of battered hill, When Spring comes round again this year And the first meadow-flowers appear. God knows 'twere better to be deep Pillowed in silk and scented down, Where love throbs out in blissful sleep, Pulse nigh to pulse, and breath to breath, Where hushed awakenings are dear... But I've a rendezvous with Death At midnight in some flaming town, When Spring trips north again this year, And I to my pledged word am true, I shall not fail that rendezvous. Alan Seeger - 1888–1916, Killed in Action, WWI, The Somme Snapshot, by Henry Taylor So huge he couldn't reach below his belt (he'd been a sideshow fat man for a while), Mr. Shipman always kept a boy with him whose job, whenever he was called upon, was to unbutton that enormous fly, reach in and grab, then stand aside and aim. Once, behind the grandstand at a ball game, while Shipman shifted his impatient flesh from foot to foot, the boy groped in the trousers and said, "Mr. Shipman, I can't find it." "Well, God damn it, boy, you the last man had it." |
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A dark and lonely night.
Kill my landlord, kill my landlord. A barking watchdog, do he bite? Kill my landlord, kill my landlord. Climb in window, break his neck. Kill my landlord, kill my landlord. Got no reason, what de heck! Kill my landlord, kill my landlord. C-I-L-L my landlord. DEATH. |
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I enjoy William Carlos Williams, Robert Frost and Dylan Thomas Also, this is a good poem: http://www.youtube.com/watch?v=9YGL3amPmyc Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light. |
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My feeble attempt at writing one during the first Gulf War
The war in the Gulf on the sand that's so old fight the young of our country so brave and so bold They fight this Arab madman called Saddam Hussein annexation his reason, domination his aim The bombing of Israel, Palestinians and Jews show that lives to this man are but pawns just to use A few of our gallant, brought down from the sky beaten and tortured, we pray they don't die When I am asked what this war means to me I reply "When it's over the world may be free" |
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The Obama and The Pelosi
My apologies to Lewis Carroll The companies were spending overseas, Spending with all their might: They did their very best to make The autos smooth and bright–– And this was odd, because it was The middle of a recession. The people were spending meagerly, Because they thought the companies Had got no business to spend there After the money was gone–– "It's very rude of them," they said, "To spend like nothings wrong!" The guns were plentiful as plentiful as could be, The ammo was cheap and powerful. You could not see any bans, because No bans were there to pass: No bills were passed in congress–– There were no congressmen to pass them. The Obama and the Pelosi Were walking close at hand; They wept like anything to see Such quantities of guns: "If these were only cleared away," They said, "it would be grand!" "If 61 Senators with 61 bills Ran it for half a year. Do you suppose," the Obama said, "That they could get it clear?" "I doubt it," said the Pelosi, And shed a bitter tear. "O Sheeple, come and walk with us!" The Obama did beseech. "A pleasant walk, a pleasant talk, Along the American Dream: We cannot do with more than four (million), To give a hand to each." The RINOs looked at him, But never a word they said: The Conservatives winked their eye, And shook their heavy heads–– Meaning to say they did not choose To leave their comfy-beds. But many young Sheeple hurried up, All eager for the honey: Their coats were brushed, their faces washed, Their shoes were clean and neat–– And this was odd, because, you know, They hadn't any money. Many other Sheeple followed them, And yet many more; And thick and fast they came at last, And more, and more, and more–– All hopping through the fairytale dream, And succumbing to the lore. The Obama and the Pelosi Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Sheeple stood And waited in a row. "The time has come," the Obama said, "To talk of many things: Of shoes––and ships––and sealing-wax–– Of cabbages––and kings–– And why the sea is boiling hot–– And whether pigs have wings." "But wait a bit," the Sheeple cried, "Before we have our chat; For some of us are out of money, And all of us are fat!" "No worries!" said the Pelosi. They thanked her much for that. "A bunch of money," the Obama said, "Is what we chiefly need: Spending and bailouts besides Are very good indeed–– Now if you're ready, Sheeple dear, We can begin to feed." "But not on us!" the Sheeple cried, Turning a little blue. "After such kindness, that would be A dismal thing to do!" "The night is fine," the Obama said. "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Pelosi said nothing but "Cut us another slice: I wish you were not quite so deaf–– I've had to ask you twice!" "It seems a shame," the Obama said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Pelosi said nothing but "The money's spread too thick!" "I weep for you," the Obama said: "I deeply sympathize." With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. "O Sheeple," said the Pelosi, "You've had a pleasant run! Shall we be trotting home again?' But answer came there none–– And this was scarcely odd, because They'd pillaged every one. |
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The Second Coming, by W.B. Yeats is a pretty good poem.
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: a waste of desert sand; A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Wind shadows of the indignant desert birds. The darkness drops again but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born? Personally, I am a big fan of 17th century japanese haiku poems. Here's one by Basho: While they are away Leaves pile up In the gardens of the gods. And another by Issa: This world of dew is only a world of dew - and yet |